With their upcoming album ‘Balconies ‘(out March 2026 on Unday Records), Antwerp indie band Tin Fingers enter their boldest era yet. After years of shaping a sound that balanced melancholy with dreamlike intensity, the band now leans fully into urgency, instinct and physicality. Recorded in just four blistering days on the Greek island of Hydra, the new album captures them at their most immediate. Playing together in a room, chasing momentum, letting heat and pressure set the tone.
‘Balconies’ is the album’s second single and title track: an energetic anthem about longing for redemption and slipping away from the weight of everyday life. The song moves between euphoria and fragility. That feeling of living freely, almost godlike, until the view from the balcony suddenly reveals how easy it is to fall. Themes of vulnerability, existential doubt and the desire to outgrow one’s own shadow run through the track, turning it into a raw, powerful reflection on fleeting joy and the hope for something more.
Tin Fingers (Felix Machtelinckx, Marnix Van Soom, Simen Wouters and Quinten De Cuyper) have spent the past years quietly becoming one of Belgium’s most intriguing indie bands. From the cult success of their early alt-pop EP to the organic electronics of ‘Groovebox Memories’ and the stripped-down intimacy of ‘Rock Bottom Ballads’, the band has never stopped reinventing itself. Their memorable shows at Pukkelpop and Rock Werchter cemented their reputation for emotional, explosive live performances, and ‘Balconies’ pushes that identity further than ever. It is the sound of a band shedding hesitation, trusting instinct, and letting everything rise to the surface.